Mozart - Twelve Duets k.487 no.4 sheet music for Flute Duet
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Annotate this sheet music. Now that you have this PDF score, member's artist are waiting for a feedback from you in exchange of this free access. Please log in or create a free account so you can :. Do not see this window again for the duration of the session. This may have to do with the history of the Allemande, which includes shifts in tempo over the course of time. Welcome to Player FM! Take it with you. Guides you to smart, interesting podcasts based on category, channel, or even specific topics.
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Just what you need. Not what you don't. Programmer gives this app a lot of love and attention and it shows. It's also a great way to discover new podcasts. So easy to find shows to follow. This duet begins in the key of a minor, then goes to A major and back to a minor on the Da Capo. The same key relationship is also used in some popular music.
The composer of this duet, Benoit Tranquil Berbiguier, studied at the Paris conservatory in the early s. Episode 35 Page38 4, Duetto No. Episode 34 Page36 3, Duetto No. This longer duet continues the duets of Kaspar Kummer. Besides being a composer, Kummer was an excellent flutist and teacher. Among his pupils was composer Friedrich Kiel. Kiel composed mostly chamber music, including several piano quartets.
He also passed on his knowledge of composition to several students including the Irish composer Charles Villiers Stanford and English composer Frederic Hymen Cowen. Episode 33 Page35 2, Two Duets from Op. This is the second of the two Kummer duets from his Opus This duet offers the teacher a good opportunity to introduce the gruppetto. A gruppetto is played by starting on the printed note, moving up one note, then back to the printed note, then down one note and finally back to the printed note again.
An example of the interpretation is at the bottom of the duet on page Episode 32 Page34 1, Two Duets from Op. This section of the Selected Duets book contains four duets by Kummer. Kaspar Kummer wrote many pieces for woodwinds, including several chamber pieces for flute. This piece is a very pretty and understated duet.
This duet presents a good opportunity for the teacher to talk about legato playing, since much of the duet is in a legato style.
Selected Duets for Flute Podcast
Episode 31 Page33 4, Contrefeseur. As with the first duet in this section of the book, Le Tourbillon, this duet lives up to its name. The flute 2 part imitates the flute 1 line at the beginning of both sections of the duet and again in the last line.
This imitation, at a lively pace, can prove challenging for a student. Episode 30 Page33 3, Le Sauteur. Episode 29 Page32 2, Le Chasseur. It seems, from the title, that the duet is meant to invoke images of a hunt. Episode 28 Page32 1, Le Tourbillon. This duet lives up to its name by congering up the image of a whirlwind.
In it, Mickey is attempting to rake some leaves when a mini tomato begins to thwart his efforts. This is a good duet to use to reinforce the idea of subdividing the beat. These 2 minuets have the same key relationship as the two duets on page 28, the first one is in the key of C and the second in c minor.
They are also a bit more fluid in style than the previous pairs. With these two minuets, we come to the end of the section of the book devoted to the duets of Boismortier. As previously mentioned this composer was very prolific and wrote pieces that were commercial for his time.
A recording of these concertos and more of his compositions for flute can be found on Amazon. These two minuets are both in the key of C, the second one does not change key to the parallel minor, as the previous pair of minuets did. The prolific Boismortier, the composer of all the duets in this section of the Selected Duets book, wrote often for the flute. He even wrote a flute method book that unfortunately is now lost. Episode 25 Page29 6, Rustic Dance. Cut time usually implies a fast tempo. The duet lives up to its name by effectively invoking images of a rustic dance.
These 2 minuets have a key relationship, in that the first one is in the key of C and the second in c minor. C minor is the parallel minor to C major. There is a segue marking at the end of the first section of the second minuet. This use of segue means to continue without a pause. It is there to indicate to the performer that there is more of the duet on the next page. You will often see a segue marking for a page turn when the page must be turned quickly.
They are often seen in instrumental parts for musicals, for example.
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Episode 23 Page28 4, Sarabande. This Sarabande is in the style of a Sarabande from the baroque period. That is, it is a slow piece in 3. The baroque sarabande was one movement of a suite, usually coming directly after the courante. Episode 22 Page27 3, Gigue. This gigue is in the same style as the previous two duets. The teacher needs to emphasize counting the 3 beats that make up the dotted quarter note plus the 2 that make up the tied quarter note in the next measure.
Episode 21 Page26 2, Gigue. This duet continues the group of duets by the composer Boismortier. Again, the flute one part states a short melodic theme alone at the beginning of the piece, followed by the second flute part beginning with the same short theme, now harmonized by the first flute. Episode 20 Page26 1, Prelude. A musical prelude usually serves as an introduction to a longer piece or some other event.
This duet, like many of the duets in this section of the book, has the flute one part state a short melodic theme alone at the beginning of the piece. Then, when the second flute part begins, it begins with the same short theme, now harmonized by the first flute. The composer of the duets in this part of the book, Joseph Bodin de Boismortier, was a French baroque composer of instrumental music. He was one of the first composers to be able to make a living writing music without having a patron.
Episode 19 Page24 3, Tambourin. This duet is entitled Tambourin, which is a piece of music that is written in imitation of a drum. A Tambourin is usually in 2 and is meant to be played in a lively manner. There is a percussion instrument with a similar name called a tambourine. Episode 18 Page22 16, Minuet. Here, dynamics also play an important part in the question and answer sections. Episode 17 Page21 15, Allegro con spirito.
Episode 16 Page19 13, A Trumpet March. The tempo and the feel, as the title suggests, is march-like. The march-like feel would make this duet appropriate for a processional, perhaps as a processional for a wedding or graduation, for example. Episode 15 Page18 11, Gavotte.
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It is usually characterized as being in a moderate tempo, with 2 beats to the measure and starting with an eighth note pickup. A pickup note also known as an anacrusis is a note that appears at the beginning of a piece in an incomplete measure. The time in the measure is made up for at the end of the piece.